Stanley Kowalski has the perfect, happy life before his sister-in-law shows up to disturb his masculine, dominated world. Stanley is aggressive, dominant, and sexual. He likes his life structured and simple. To Stanley, as the man of the house, he brings home the money, and Stella, his wife, shows him respect because of it.
Having lost her husband, parents, teaching position, and old family home—Belle Reve in Laurel, Mississippi—Blanche has nowhere to turn but to her one remaining close relative. Thirty years old, Blanche is emotionally and economically destitute. The most traumatic experience in her life was the discovery that her husband—a poet whom she had married at the tender age of sixteen—was a homosexual.
Soon after she had taunted him for his sexual impotence, he committed suicide. In her subsequent guilt over his death, she found temporary release in a series of sexual affairs, the latest having involved one of her young students and resulting in her dismissal.
She is horrified at the circumstances in which her sister Stella lives and at the man to whom she is married. Polish, uneducated, inarticulate, and working class, but sexually attractive, he has won Stella by his sheer masculinity.
Stella, according to production notes by director Elia Kazan, has been narcotized by his sexual superiority.
She is attracted to his kindness to her, for he is gentle in his manner, as Stanley is not. Tensions grow between her and Stanley, even as her physical attraction to him becomes palpable.
She expresses her contempt for his coarseness and animality. In scene after scene, she reminds him constantly of their cultural differences. Their hostilities develop into a Strindbergian battle of the sexes for the affection of Stella.
Blanche eventually loses not only Stella but also Mitch, a possible husband. Blanche has prettied up the apartment for her birthday. Her delicate sensibility already strained to the breaking point when she had first arrived, she breaks down and at the end is led away to a mental institution.
It is her final descent into a mythical underworld, in which, like Orpheus, she is psychologically mutilated and eaten. The lines remaining in the memories of those who have seen A Streetcar Named Desire epitomize the strong contrasts which lie at the center of the play: In the loss of Belle Reve and the acceptance by Stella of a new life—the world of Stanley and of the kind but inarticulate Mitch—Williams, like Anton Chekhov in Vishnyovy sad ; The Cherry Orchard,dramatizes the replacing of one era by another.
Social Darwinism is the basis for the change.A Streetcar Named Desire study guide contains a biography of Tennessee Williams, literature essays, quiz questions, major themes, characters, and a . A Streetcar Named Desire Tennessee Williams.
BUY SHARE. BUY! Home; Literature Notes; A Streetcar Named Desire; Scene 2; Table of Contents. All Subjects. Play Summary; Summary and Analysis Scene 2 Bookmark this page Manage My Reading List. Summary. Stella tells Stanley that she is taking Blanche out for dinner and a show .
A Streetcar Named Desire | Blanche And Stella Analysis. Print Reference this critics such as Felicia Hardison Londré denote Tennessee Williams´ A Streetcar Named Desire also as "a lyrical drama which had a considerable effect on the script of A Streetcar Named Desire.
By changing the characters´ nationality as well as their. image, blanche and stella, in tennessee williams’ a streetcar named desire 1. Background of Analysis A streetcar Named Desire is a stage play that written by Tennese Wiliams. It first published in and takes place in New Orleans, Louisiana.
Complete summary of Tennessee Williams' A Streetcar Named Desire.
eNotes plot summaries cover all the significant action of A Streetcar Named Desire. A Streetcar Named Desire Summary Tennessee. A Streetcar Named Desire is a play written by American playwright Tennessee Williams that received the Pulitzer Prize for Drama in The play opened on Broadway on December 3, , and closed on December 17, , in the Ethel Barrymore Theatre.